雅正与新怪:王禹偁古赋的两个面相
王彬, 秦玮
山东大学 文学院, 山东 济南 250100
起止页码: 33--54页
DOI: 10.13559/j.cnki.hbgd.2017.02.008
摘要：
王禹偁的《小畜集》内收有5篇古赋，今人编纂的《全宋文》《宋代辞赋全编》等总集中另补辑了3篇集外赋，即《红梅花赋》《怪竹赋》和《花权赋》。这3篇集外赋在题材选择、思想情感等各方面与《小畜集》内收录的古赋大异其趣。《小畜集》内的古赋是雅正的，这3篇集外赋却是新怪的。王禹偁作赋曾追求"奇"格，他的集外赋当是年轻时所为。正是因为有雅正与新怪两个不同面相的存在，王禹偁的古赋创作才显得更为饱满。
Orthodox and Odd:Two Faces of Wang Yucheng's Ancient Fu
WANG Bin, QIN Wei
School of Literature, Shandong University, Ji'nan, Shandong 250100, China
Abstract:
There are five pieces of ancient fu in Wang Yucheng's Collection of Xiao Chu.The present scholars find out three pieces of lost fu,which are included in the Complete Works of Song and the Complete Collection of Ci and Fu of the Song Dynasty.These three pieces are respectively Red Plum Fu,Odd Bamboo Fuand Flower Power Fu.They are greatly different in selecting themes and sentiments from the ancient fu in Collection of Xiao Chu.Specifically speaking,the five pieces in Collection of Xiao Chu are orthodox while the lost fu is just odd.When Wang Yucheng was young,he liked strange style in literary creation and wrote these three pieces of fu.It is because there are two different existing faces of orthodox and odd,Wang Yucheng's ancient fu creation appears much fuller.
收稿日期: 2017-01-21
基金项目:
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